📚心得【Expanse #5:Nemesis Games】 by Daniel Abraham & Ty Franck, 2015

#Space_Opera #Drama #劇情大洗盤 #社會底層的逆襲 #星球級恐攻

這集真的是我看過最成功的續作,沒有之一。通常,許多第一部作品非常優秀的系列都會因為固定的人物或世界設定而畫地自限,但Nemesis Games有個聰明的做法:既然被自己限制了,何不大洗盤呢?藉著劇情大轉折,通通毀了吧!白洗黑、黑洗白就趁現在了! 

這種作法本身並不算不常見,日本許多少年漫畫作品都有類似做法,用一個大反派吸收所有人的怨氣,而Nemesis Games難得的是,它不是把所有怨氣都集中在一處,混沌狀況中每個人都背了點鍋,連主角群也不例外。就像班上有人長期被霸凌,被霸凌者已經盡了自己所能尋求幫助,老師、同學卻都當作沒看見,甚至補了幾腳,直到哪天出大事、學校被大屠殺了,再來怪他人、怪自己沒及時提供幫助,怪加害者沒能理性,但對於"沒有任何東西能失去"的人們而言,當機會降臨、會做出這種自許"彌賽亞"的舉動真的是不意外的合情合理; 此外,各個角色儘管在事件中分散各地並幾乎斷絕聯繫、有著各自的挑戰和戰鬥,卻能為了同一件事心照不宣往地緊密相連、往"正確"的方向努力。

兩位作者精心布局各個平行故事線,不停疊加緊張和期待感,直到角色們在故事結尾交匯,面對迎面而來更大的困難。 書中也繞著"正確"這個概念做了大量討論,很多時候正確是矛盾的,對個人來說正確的作為、對人類整體而言卻是自私的,這兩者之間應如何許捨?

小說的"轉折點"將毀滅和混亂生動地呈現出來,灌輸迫切和恐懼感,Naomi的角色也發揮了關鍵作用,為故事增添了深度和情感共鳴。隨著她的過去浮現與良心受到考驗,她的行動對人類整體和主角群的命運都起了決定性的作用;期間,每個角色的旅程都有不同的軌跡,新的聯盟形成、舊有的關係也變得緊張,這種重新安排不僅增添了故事的複雜性,還為角色提供了新的視角和成長空間,不愧是劇本家出身,敘事安排就是比一般作者厲害。 

這集唯一的缺點,我認為是結尾雖然有交代現狀,卻是個Cliffhanger,這在Expanse系列中從沒有過,但這種情況在其他我也很喜歡的Bobiverse、三體等系列中卻不算少見 😅 自己覺得Cliffhanger在每周一集的電視劇上還能接受,一年一更的小說上就會讓讀者有點想拍桌;另外,Expanse系列也一貫的關注在劇情上而非哲學思想上,所以雖然故事與敘事真的近乎完美,目前也沒有能深入討論的核心思想。
IMO總分:89分,和系列第一集並駕齊驅、我看過最優秀的續集,沒有之一。 
核心思想:★★★★☆ 核心討論議題是否有趣*5 
劇情細節:★★★★★ 綜觀整體劇情的質與量*4
角色刻畫:★★★★★ 角色群的必要性與深度*3
科學軟硬:★★★★★ 是否符合現實物理現象*3
結局滿意:★★★☆☆ 結局滿意度與有無餘韻*3
易讀程度:★★★★★ 閱讀時章節是否難消化*2

#Space_Opera #Drama #Plot_Shakeup #Underdog_Rebellion #Planetary_Terrorism

This book is truly the most successful sequel I have ever read, bar none. Often, series with an excellent first installment limit themselves with fixed characters or a set world. But Nemesis Games took a clever approach: if you're boxed in, why not just shake everything up? With a major plot twist, let's just destroy it all! Now's the time for the good guys to turn bad and the bad guys to turn good!

This approach isn't uncommon. Many Japanese manga series do something similar, using a main villain to absorb everyone's resentment. But what makes Nemesis Games special is that it doesn't just focus all the anger in one place. In the chaos, everyone is a bit complicit, and the main characters are no exception. It's like a long-term bullying situation in a classroom where the victim has done their best to seek help, but teachers and classmates look the other way, or even add a few kicks. Then, when something big happens and the school is massacred, people start blaming others, blaming themselves for not helping in time, and blaming the perpetrator for not being rational. But for people who have nothing to lose, it is a completely reasonable and unsurprising act to become a self-proclaimed "Messiah" when the opportunity arises. Furthermore, even though the characters are scattered and almost completely cut off from communication, facing their own challenges and battles, they are still implicitly and closely connected, working toward the "right" direction for the same cause.

The two authors masterfully weave multiple parallel storylines, constantly building tension and anticipation until the characters finally converge at the end of the book to face an even bigger challenge. The book also extensively discusses the concept of "right." Often, what is right is contradictory—an action that's correct for an individual can be selfish for humanity as a whole. How should one choose between the two?

The novel’s turning point vividly portrays destruction and chaos, instilling a sense of urgency and fear. Naomi's role is also crucial, adding depth and emotional resonance to the story. As her past resurfaces and her conscience is tested, her actions become decisive for the fate of both humanity and the main group. Throughout this, each character’s journey follows a different path; new alliances are forged, and old relationships become strained. This re-arrangement not only adds complexity to the story but also provides new perspectives and room for character growth. The authors' background as screenwriters is evident, as their narrative arrangement is simply more skillful than that of typical authors.

The only flaw I see in this book is the ending. Although it sets up the current situation, it's a cliffhanger, which is something the <Expanse> series has never done before. However, this is not uncommon in other series I also love, like <Bobiverse> and <The Three-Body Problem>. Personally, I find cliffhangers acceptable for weekly TV shows, but for a book series that updates once a year, it makes a reader want to slam the table. Additionally, the <Expanse> series consistently focuses on plot over philosophical ideas. So, while the story and narrative are truly close to perfect, there isn't yet a core concept for in-depth discussion.

IMO Rating: 89. It's on par with the first book in the series and is the single best sequel I have ever read, without exception.

Core Theme: ★★★★☆ (*5)

Plot Quality: ★★★★★ (*4)

Character Development: ★★★★★ (*3)

Science Validity: ★★★★★ (*3)

Ending Satisfaction: ★★★☆☆ (*3)

Readability: ★★★★★ (*2)

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